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Saturday, May 11, 2019


Central South Dakota is a hotbed of bird migration and May is peak season. My bird photography skills (which I practiced all winter) are still meh. It's hard for me to get good photos of birds flittering about which means all the pictures of warblers look like this one.

See the tail feathers off to the center right of the photo? Maddening.

I have been able to capture a few photos of birds that are ground foragers. They tend to be a little easier to photograph because they are on the ground (no craning my neck) and they also take longer pauses between flits or hops looking for insects.

I'm very pleased with this photo. Thank you, White Crowned Sparrow. Your black and white crown feathers are so fetching.

Saturday, April 27, 2019

Braiding Sweetgrass and the Honorable Harvest

About a month ago several people whom I know from different areas of my life, without collusion or coordination as far as I know, told me that I needed to read Braiding Sweetgrass. My track record with books others tell me I must read is a little spotty. I don't always like them which makes for awkward conversation.

Them: "How did you like that book that was terribly meaningful to me?"
Me: "Oh, uhm... it wasn't bad."

Our library had an e-version of Braiding Sweetgrass so I put myself on a wait list. I was hesitant to spend money on a book I was almost certain I wouldn't like since it would be too woo-woo and possibly cringey.


Every once in a while a book comes along at the exactly the right moment and influences your thinking to a profound degree. Braiding Sweetgrass is for me one such book, taking me further along a road I began when I read Song of Trees by David George Haskell and before that Other Minds by Peter Godfrey Smith.

The common theme among all of them is our human connection to the natural world.

I am still processing Braiding Sweetgrass, trying to not just understand but absorb what I am meant to learn. While there is deep work happening the concept of honorable harvest has rocketed to the top. Just as the book came to me from different directions in a short period of time, I've been able to send it on to others in the same way.

These are some of the ideas that are resonating with me.
  • Gratitude is the first component of our emotional soil.
  • Other parts of the natural world even the abiotic parts are our relations because they are made of the same sky dust we are.
  • Think first of what you can give to the Earth before you take from it
  • Ask permission before you take, and even then take only what you are given.
    • Do not take the first you see. Do not take the last you see.
    • Take no more than half.
I'm not sure how this philosophy expresses itself in modern society but I want to live a life that harvests honorably.

Sunday, March 24, 2019


I've been at this blogging thing a while. Every once in a while, I go back to an old blog on a different platform to revisit my posts and say hello to past Me. I'm always a little surprised at what I find. You do forget details.


For example, I'd forgotten that I took this photo with my phone, a low end Samsung. Not a bad photo. It's not a great photo either but it makes the case that you don't need even a middling good camera like the one I have now, the Lumix, to take pictures that help tell the story of an experience.

The experience was detailed in this long form piece, A Cold Night, A Long Hike, A Good Story. This photo was taken at the end of my unintentionally long hike at the Castle Trail head. Good times.

Thursday, March 21, 2019


Robins have been slow to make themselves known this year. I blame the snow and the cold. They started to get active a couple of times earlier in the month and whoom! a storm would move in. I can't blame them for being hesitant.

But lengthening daylight and more seasonal temperatures are prevailing, causing them to spread out and start occupying territories even if they aren't in full voice yet. My robin watching network on FB has been reporting robin activity for a week and a few days ago I saw one for myself as I left for work. After work today, Lu and I went out for a walk about the property (aka my front and back yard) to try my hand at robin photos.

I actually had to leave the property (i.e. walk halfway down the block) to get a  photo even though I eventually did see a male in the trees on my front lawn.

ƒ/4 1/400 ISO100 106.6mm

I did not filter or edit this photo. It could probably use some cropping though I like the way the tree branches frame the bird with the blue sky behind it. I think this demonstrates the value of evening sunlight to show the color and what was it? The shape? Or was it the features? I'm taking a mini-course from National Geographic on photography and I'm learning how different light has emphasizes different features.

The light in this picture clearly emphasizes the orangey red of the breast which is one of the things I think people appreciate about robins here in the north. After a winter of varying shades of white, gray, and brown, it's nice to have some color.

Sunday, February 24, 2019

Sharp-shinned Hawk

I had just finished watching Into the Okavango when it happened. My mind was filled with hippos, elephants, red ball suns and paddling when out of the corner of my eye I saw two birds fly towards the dining room glass door. One I thought might be Eurasian Collared Dove as it was big and light under the wing. The other bird was dark. Oh no, I thought. The thunk was barely audible. I hopped up, hoping that if a bird were injured it would be the Collared Dove.

There was a bird injured. It wasn't the Collared Dove. In fact there was no Collared Dove on the scene. The bird I thought was a dove was actually a juvenile Sharp-shinned Hawk and it had firmly pinned a Starling to our snowy deck. The Starling was in rough shape but was trying to fight back, pecking at the hawk every time the hawk lowered its head to bite.

I did the only thing that there was to be done. I ran and got my camera.

I knew that getting a good picture would be a challenge. As mentioned previously, snow is a challenge for me. (Still haven't figured it out) Also, the sun's position was not directly opposite but opposite enough. Fortunately the sun was high enough that the birds weren't back lit but the shadows, oh the shadows. And finally, I was shooting through a window in a bathrobe recovering from viral crud on a bitter, blustery day. 

But you shoot the scene you are handed. Unless I was willing to go outside and creep around in the snow and risk scaring the bird away, this is what I had to deal with.

So I dealt. I dealt by taking 585 photos. The vast, vast majority were crap or worse than crap. But a few came out good and with a little help from Google Photo Auto filter and some Instagram magic two came out quite good.

This photo was auto adjusted by Google Photos. I also cropped through Instagram and added the Lark filter.

Original photo ƒ/2.8 1/2000 105.1mm ISO100

I did some mad Instagramming on this one. I again used the Lark filter but fiddled with the light, brightness, color, and saturation. I was particularly interested in making the bars on the tail pop because that is an important identifying characteristic.

Original photo  ƒ/4 1/1600 36.1mm ISO100

Saturday, February 16, 2019

Red bellied woodpecker.

The weather has been wintry of late. Not surprising since this is February and of course winter. But temps have been well below normal and it's been gray. Truthfully, getting out has been a challenge.

I do find that having been to the Arctic makes the cold more bearable. I turn my face north and think about polar bears and whales and Arctic fox. That and good snow pants and thick socks (I had a non-freezing cold injury on my feet when I was a teen so in my middle age I find I have to be extra careful about these things) help get me through.

I also enjoy my little forays when I can. I did go to the Farm Island bird feeder recently where I finally got a photo of the red bellied woodpecker. It's belly isn't brilliantly red, at least this female's belly in February isn't. If you zoom into the photo where she's facing the camera you will see the faintest blush of orangey red on her breast, a paler version of the color around her beak.

I feel particularly fortunate to get this photo as the bird was quite active when I pulled up. I didn't have as much time as I would have liked to make sure the camera was focusing. Sometimes, you just have to shoot and hope the picture works. I'm pretty happy with the photos.

Sunday, February 3, 2019


Mild weather, needing erosion pictures for a class I'm teaching, and Polar Vortex induced cabin fever sent me to the Badlands yesterday. That and a vague worry about the how the park, particularly the bison, fared during the shutdown.

To set your mind at ease, the park looked in fine condition. The campground was not vandalized in anyway that I could see. The bison, the few that I saw, looked good. Plump. Relaxed.
Lounging in the sun on a warm winter day.

I had hoped to get a lot of close ups of the bison as this was my first spin in the park with my new camera but other than this pair basking in the sun by the side of the road the bison were all far afield, visible only as tiny bison dots through my binoculars. Perhaps a super high end digital single lens reflex camera, the kind with a two foot lens, might have gotten a good picture but I was pretty sure this was beyond what my little camera could handle.

No matter. There were plenty of things to photograph.

Like this.

This caught my eye as I was driving so much so I turned around to have a second look. The contrast of the fresh wood with the black bark was striking. What was this?

I got out of the car and inspected the tree from the shoulder of the road. Getting up close would have meant clambering down a steep, brushy hill. I have learned that when something catches your eye to do a slow visual sweep of the area to see what else is going on which is how I found a similarly marked tree across the road. This tree required no clambering to get up close.

I noted the following: that the bare wood had teeth marks and the tree was an elm. (Again with the elms! This time in the Badlands!)

Teeth marks and fresh wood.

My conclusion: a porcupine had been dining on this bark.

I have seen porcupine in this area of the park before. If I had been so inclined to do some bushwacking (I wasn't) I probably could have found it in that copse where the tree originally caught my attention.

While wandering around in that area, I also found Lakota prayer ties, not surprising since the Badlands juxtaposes and lies within the Pine Ridge Reservation. The ties were worn; the black had faded to gray, the red to pink, the yellow and white almost indistinguishable from each other. I wonder who stopped to pray there and hope that, whoever it was, had their prayers answered.

Saturday, January 19, 2019

Jolly Good Fellow

That is me, the woman on the left in a blue shirt. I am a 2019 National Geographic Education Fellow. This blog really isn't about my work with National Geographic but when you put yourself out there as an explorer even of the every day variety and you end up working with National Geographic some explanation is in order.

My work with National Geographic is to build out their citizen science resources for teachers.  Being a citizen scientist myself I think this is important, essential work to getting to a Planet in Balance. I won't be going any place exotic like the Okavango (unless National Geographic thinks they need an education fellow to go to help with... I don't know what I could help with but I'm game to go).

My fellowship work may or may not show up in this blog and if it does it may be direct i.e. talking about it specifically or indirect talking about an experience because of that work.

This blog will still be about my observations and the work I'm doing to understand and tell the stories of world as an everyday explorer.

I just thought you should know.

Sunday, January 13, 2019

Old Blogs Never Die

If it's on the internet, it lives forever.

I had half forgotten about an online nature journal I kept about four years ago which was something of a precursor to this one. I eventually replaced it with iNaturalist, never to return to that work.

I won't reactivate it but I do think it belongs as part of the archive for this blog. This is one of my favorite photos from that blog taken with an old phone. This was taken on the causeway from Pierre to La Framboise Island.

Saturday, January 5, 2019

Bird Land

I am enjoying my new camera. I am practicing the same skills I was when I last posted which means there are features on my camera I still don't know how to use. No matter. For the moment I am enjoying learning how to take pictures of birds at the feeder maintained at a nearby state park by volunteers from the Audubon Society. When I am ready to learn more about the camera, I will move on.

Today is National Bird Day so I will share a few bird photos. I find taking halfway decent photos of birds unexpectedly gratifying, especially when I share them on iNaturalist. The photos I'm sharing below aren't my best photos but the ones that I am learning from.

What I've learned so far:

I've learned that snow is hard to get the right light. The birds in the photos I took on a snowy day come out a little dark. See the American tree sparrow photo one below.

I've learned that autofocus may or may not always pick the right thing to focus on. I've had more than one picture with the sunflower seeds in the feeder in crisp detail while the bird an inch or two in front of that ever so slightly out of focus. See American Tree sparrow photo two.

I've learned that you have to take a lot of photos to get one or two good ones.

I've learned that cardinals are shy and flitty this time of year.

I've learned that birds are sometimes done with the feeders by 3:45 or so which is a disappointment when you get there at 3:50.

American Tree Sparrow One in Snow

American Tree Sparrow out of focus

Female Northern Cardinal. She never did hop into the sunshine.

Male Northern Cardinal. Lucky shot. He didn't stay long.

Male House Finch

Black capped chickadee

Thursday, December 27, 2018

Early morning eagles.

I am learning that one of the things you do as a photographer is chase the light, particularly the golden hours around sunrise and sunset. I know a man who specializes in photographing sunrises. He regularly gets up at or before 4 am to check the weather, make coffee and decide if it's worth a drive to the spots that he knows will yield stunning sunrise photos.

I am not there yet, particularly with that getting up before 4 am business. However, I did find myself getting up and out before 7:30 am on a Sunday morning to take pictures of eagles. I feel that this is sort of the same thing.

Finding eagles is easy around here as eagles overwinter by the Oahe Dam about six miles out of town, attracted by the open water and cottonwood trees. Eagles are large, photogenic birds that unlike their smaller cousins don't flit. Generally if you are quiet and still they will be as well until something calls them to take flight. In populated areas they move if there is too much human activity below them. But sometimes they move for reasons known only to them. Hunger perhaps. Or maybe they want a different view.

One of the common roosting sites at the Dam is viewable by car which serves as a blind of sorts as cars don't seem to disturb eagles.  Even though finding eagles here is easy photographing them is not because this vantage point faces west. A west facing vantage point means the light is behind the eagles in the afternoon golden hour. This does not make for great photos. In fact it doesn't make for good photos or even ok photos. To photograph these eagles you have to go out in the morning.

I used to verify that early morning sun would bathe them in a golden glow. The sun rose slightly to their south so first rays of morning light would illuminate them on one side which would mean shadows. But it was golden light and besides I had no choice.

I arrived at the vantage point in the cold gray of civil twilight. The moon was brilliant, almost full. I spotted three eagles, one of them well within range of my zoom. Huzzah! I might get an extreme close up. I rolled down the window and set up the camera, attaching it to a Gorilla tripod and perching the tripod on the door.  Snuggled under my down coat with an insulated tumbler of hot tea, I was ready.

It had been a few months since I was outside to watch the sunrise and I can't remember the last time I did so during the winter. First, the sky changes from gray to a light blue. Then, the tops of the trees blush with the pink light. The trees glow as the brightening light slips towards the ground and the blue in the sky deepens, steadily, silently until all of a sudden, the sun is up and everything is illuminated.

Just before this solar culmination, the eagle that was nearest to me flew to other eagles a little further away. The other eagles were within range of my zoom but they weren't well within range. No extreme close ups, sadly. That eagle shortly thereafter moved on.

I spent the next hour or so snapping away. As usual I got a lot of duds but I did have a few highlights. The first was I got a nice series of two eagles joining the eagles in the not so close tree. Even though I didn't get the extreme close up you can see the open beaks as they vocalized to each other.

Also, two of the eagles seemed to enjoy being in close physical contact. They stayed right next to each other. It was kind of cute.

Eventually I decided to call it good and slowly and I hope quietly (my next car is going to be electric for precisely these kinds of moments) I drove away. I spied more eagles flying as I left and of course I had to follow.

It wasn't a great shot what with branches in the way and the eagle not facing me, but I did get my extreme close up.

I cropped this one to focus in on the eagle but I think the light came out pretty good.
f/4 1/500 108mm ISO100

And when the eagle turned its head, it cast a shadow. A little far even with the zoom. Needs cropping. f/4 1/640 108mm ISO100

These two eagles really liked each other.
f/4/ 1/1000 108 mm ISO100

I made a gif of two eagles joining other eagles. I like how you can see the vocalizations. f/4 1/500 108 mm ISO100

Extreme closeup, Cropped. f/4 1/640 108mm ISO100

Saturday, December 22, 2018

Depth of Field

When I reread my post below my eyes glazed over from the abundance technical details about background defocus mode. Overall, my post was rather dense and  uninteresting. Lesson learned. I'll keep the technical travails about which button to push when to a minimum. Suffice it to say that I don't fully understand my camera yet so occasionally it will do something and I don't know why.

For example, I have managed to change the display on the screen so after I take a photo it flashes not only the photo but also all the info like f stops, ISO, etc. And once I set the display screen so that when I touched it, the camera took a photo. I have no idea how I turned that on but it's mysteriously off, for now at least. Somewhere in the advanced user's guide I'm sure it tells me about these things. I don't know when I will get to it because the advanced users guide comes on a CD and I don't have a CD reader.

What I do feel I am learning, a little, is depth of field. The two photos below were taken within 5 minutes of each other from the same vantage point. The top one has an f/4 aperture which I set and an ISO of 200 which I did not. The bottom has an aperture of f/2.8 with an ISO of 100. Both of these have been auto adjusted by Google photos. The zoom was the same.

Composition aside (I'm still learning) I don't know if the depth of field makes that much of a difference in these two pictures. Both have sufficiently blurry backgrounds that do not distract from the birds. The bright spot in the bottom photo (f/2.8) that looks like a corona behind the bird's head. I see this as a distraction not because of the detail but because it's, well, a corona behind the bird's head.

f/4 ISO 200

f 2.8 ISO 100
I can see why Graham recommended setting the camera to a background defocus mode of f/4. You can still get respectably blurry backgrounds and the ability to direct the focal point of your photos. The picture of grass panicles  below has a aperture of 4 and a nice blurry background. It helps there is a good color contrast.

The downy woodpecker is my best photo so far. I wish I had gotten the woodpecker's eye on the intersection of the thirds but this is a good start.

Tuesday, December 18, 2018

I begin

While I am a very inexperienced photographer I am not a complete newbie. Years ago I saw a Powerpoint on how to take good outdoor photos that talked about the rule of thirds and depth of field when composing your photos.  I've only had very very basic cameras so depth of field was something that I had no control over but I've always installed gridlines on the viewfinder if that camera had that feature.  I'm somewhat proficient at rule of thirds so with this new camera I turned my attention to depth of field.

I am using a series by Graham Houghton on You Tube to guide my learning. He recommends you start out in intelligent auto or IA mode which sounded good to me. The first subject he tackled after setting up the camera is understanding how to set up background defocus mode and change the focal point of your picture. Knowing how to do this will help you change your depth of field in the IA mode. In peeking ahead at the topics I think he covers this later on in the series when you are in manual mode but the idea of manual mode makes me feel faint right now. 

One of the disadvantages of being self taught using a You Tube video is that you can't ask questions when you have done something wrong. You just have to keep plinking away and reviewing the video.

For example after I set the background defocus mode to an aperture of 4 (which doesn't really defocus the background but allows you to change your focal point) I missed the instruction on how to move the focal point by pressing the grid icon to the left of the Menu/Set button after you engage the background defocus mode. If you fail to press this button (or fail to engage background defocus mode first) and try to move the focal point square on the screen the camera beeps at you.

Another fun fail: if you don't engage the background defocus mode OR if you don't press the button on the left of the Menu, AND if you try to move the focal point square using the Menu/Set controls without first pressing the grid icon you will find yourself changing the white balance towards warmer or cooler. Changing the white balance of the photo is all well and good if that is what is you want to do but somewhat frustrating if you want to change the  focal point and don't realize you missed an instruction. And let's not discuss how frustrating it is to have the camera beep at you.

Yes, PLEASE do not discuss the beeping.

So in review, the lesson that I've been working on is trying to figure out the aperture. I can set the aperture to a predetermined point using the Fn2 (Function 2) button and toggle back and forth between an automatic aperture and Fn2 aperture.

Here's where things get tricky if I want to toggle: to turn the background defocus mode on, I press the Fn2 button once. I half press the shutter button to verify. To turn the defocus mode off I press the Fn2 button twice. I do not need to half press the shutter button to verify.

When the camera is in background defocus mode I can change the focal point by pressing on the grid icon on the Menu wheel. That will allow me to move the point. Pressing on the grid icon when the camera is not in background defocus mode will not allow me change the focal point. And it will beep if I try to move the focal point.

Man, will it beep.

Sunday, December 16, 2018

Hello, Lu

As stated below I have added a new camera to my collection, a Panasonic Lumix FZ300. This camera is in the bridge class of cameras. The way I understand it there is a camera hierarchy with phones and point and shoots at the bottom and digital single lens reflex cameras (DSLRs) at the top and bridges in between.  The hierarchy is based on clarity and quality of image and seems to be directly correlated to price and indirectly correlated to ease of use.

This camera which I shall call Lu can function as a point and shoot but also has many buttons and dials if you want to take your photography up a notch. Since the whole point of my buying Lu was to do exactly that I have decided to embark on a self designed, self taught course, consisting of what I hope are credible internet resources and my own practice.

Over the next few weeks or months many of my posts will be about learning about Lu. There will be posts of photos with information about f stops and shutter speeds and depth of field and this setting versus that because the best way to learn about something is to not only practice but to process it. Knowing is good, being able to explain is better. Blogging your experience is a great way to process and explain.

My goal is to create a journal of a very new photographer, a short series of what someone who has only done phone photography before has to grapple with in learning how to use a bridge camera.

Pointers and ideas are welcome.

Saturday, December 15, 2018

Reading Plans.

Last year I set a goal of reading four science books. And I have!
Other Minds
Song of Trees
Caesar's Last Breath
Astrophysics for People in a Hurry.

They were all good. And they were all by men.

My next reading challenge for 2019 is four science books by or about women, preferably both.